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edward.maurath

HWV7A2N20a - "Ah! crudel, il pianto mio deh!"

edward.maurath

2:50	Est. Play Time
26	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo		20	0	3	10	100%
Contrabass Solo		17	0	3	6	100%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo		20	0	3	10	100%
Contrabass Solo		17	0	3	6	100%
Oboe		17	0	3	9	92%
Harpsichord		20	29	3	7	85%
		17	7	3	6	88%
Contrabasses		16	0	3	6	88%
Violas		12	0	3	7	88%
Violins 1		19	0	4	7	88%
Violins 2		15	0	2	6	88%
Violins 3		13	0	1	6	88%
Violoncello Continuo		17	0	3	6	88%
Violoncellos		16	0	3	6	88%
Violoncello		18	0	3	6	85%
Almirena		13	0	3	8	54%

HWV58A2N7 - "Oh sleep, why dost thou leave me?" E Major

edward.maurath

2:40	Est. Play Time
28	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		15	34	1	8	96%
		16	13	0	6	96%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		15	34	1	8	96%
		16	13	0	6	96%
Cello		16	1	0	6	96%
Semele		14	0	3	10	79%

HWV8A1N15 - Aria for Dorinda "Mi lasci, mi fuggi" (1712 only)

edward.maurath

2:58	Est. Play Time
77	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		19	24	6	8	97%
		22	28	5	6	100%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		19	24	6	8	97%
		22	28	5	6	100%
Violoncello (Continuo)		19	0	3	6	100%
Alto as Dorinda		15	0	4	8	78%
Contrabasses		8	0	0	3	8%
Viola		10	0	0	3	8%
Violins I		11	0	0	5	8%
Violins II		10	0	0	3	8%
Violoncellos		8	0	0	3	8%

HWV8A1N7 - "Lontan del mio tesoro" in C Major

edward.maurath

5:20	Est. Play Time
51	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		19	40	3	8	70%
		23	24	4	5	100%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		19	40	3	8	70%
		23	24	4	5	100%
Violoncello		20	0	3	5	100%
Mirtillo		17	0	6	6	76%
Contrabasses		8	0	0	5	10%
Viola		9	0	0	4	10%
Violins 1		9	0	0	5	10%
Violins 2		10	0	0	4	10%
Violoncellos		8	0	0	5	10%

HWV27A3N21 - Arsace "Fatto è Giove un Dio d'inferno"

edward.maurath

5:20	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		19	40	6	7	79%
		30	38	9	5	97%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		19	40	6	7	79%
		30	38	9	5	97%
Violoncello Continuo		23	0	7	5	97%
Arsace		18	0	6	7	74%
Violini		21	5	4	4	66%
Contrabassi Continuo		19	0	4	5	63%
Contrabasso Continuo		19	0	4	5	63%
Violoncelli Continuo		19	0	4	5	63%

HWV26A2N18 - Berengario, "D'instabile fortuna" in E Major

edward.maurath

6:14	Est. Play Time
85	Measures
	1,786Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		18	35	3	4	100%
		21	68	4	4	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		18	35	3	4	100%
		21	68	4	4	100%
Violoncello Continuo		20	0	3	4	99%
Vln 1		24	0	6	3	81%
Vln 2		23	0	6	3	81%
Kontrebaß		22	0	4	3	78%
Berengario		18	0	5	7	69%
Violas		16	0	4	3	46%

HWV26A1 - Se il mar promette calma - G Major

edward.maurath

4:08	Est. Play Time
65	Measures
	1,469Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo		21	41	6	4	87%
		26	17	7	4	98%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo		21	41	6	4	87%
		26	17	7	4	98%
Viola		22	0	7	3	97%
Violino 1		23	0	6	7	97%
Violino 2		24	0	7	6	97%
Double Bass Continuo		22	0	7	3	95%
Violoncello Continuo		23	0	7	3	95%
Bass as Clodomiro		17	0	6	8	75%
Bassoon Continuo		23	0	7	4	75%

HWV8A2N13 - "Un sospiretto d'un labbro pallido" (Dorinda)

edward.maurath

4:17	Est. Play Time
64	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		27	29	9	7	97%
		25	19	5	7	97%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		27	29	9	7	97%
		25	19	5	7	97%
Violoncello		24	0	5	6	97%
Contrabass		24	0	5	5	88%
Dorinda		17	0	6	6	75%
Violins 1		22	0	7	7	56%
Contrabasses		17	0	4	3	47%
Violoncellos		17	0	4	3	47%
Bassoon		10	0	2	3	13%
Oboe		14	0	2	5	13%

HWV58A2N17 - Jupiter, "Where 'er you walk" in B-Flat Major

edward.maurath

2:57	Est. Play Time
27	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ Continuo		19	54	6	6	100%
		22	6	6	3	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ Continuo		19	54	6	6	100%
		22	6	6	3	100%
Cello		20	0	5	3	100%
Kontrebaß		20	0	5	2	89%
Violas		18	0	4	4	85%
Vln 1		22	0	6	6	85%
Vln 2		20	0	6	3	85%
Tenor as Jupiter		12	0	3	7	78%

HWV19A3N20 - Vivi, tiranno (Bertarido) in Bb Major

edward.maurath

5:15	Est. Play Time
113	Measures
	1,931Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ Continuo		23	51	5	7	82%
		20	1	4	6	98%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ Continuo		23	51	5	7	82%
		20	1	4	6	98%
Cembalo Continuo		22	51	5	7	79%
		23	21	5	6	98%
Bassoon Continuo		20	0	4	6	95%
Violin 2		21	0	6	5	87%
Violoncello Continuo		19	0	4	5	82%
Double Bass Continuo		19	0	4	5	81%
Viola		16	0	2	4	81%
Castrato Alto as Bertarido		14	0	4	8	66%
Violini 1		15	0	4	5	65%
Oboe 1		15	0	3	6	42%
Oboe 2		20	0	6	6	42%

HWV63A0 - Judas Maccabeus (1746) Overture in g minor

edward.maurath

11:07	Est. Play Time
186	Measures
	2,568Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1		26	0	9	10	97%
Violini 2		27	0	9	10	94%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1		26	0	9	10	97%
Violini 2		27	0	9	10	94%
Viole		18	0	4	8	83%
Contrabassi Continuo		25	0	10	10	81%
Violoncelli Continuo		25	0	10	10	81%
Bassoon Continuo		26	0	10	10	45%
Oboe 1		22	0	8	9	45%
Organo		16	39	5	9	40%
		20	1	5	9	41%
Cembalo Continuo		17	42	5	6	30%
		20	4	3	6	30%
Oboe 2		18	0	5	7	26%

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